Recently identified correlations between biology, mathematics, mysticism, spirituality and the theory of complex systems provide an exciting frontier for research discoveries. It appears that certain theological and philosophical principles can be linked to chaos theory and complexity yet at the present time practical application of these theories are rare. Complexity remains difficult to define, as most of the current definitions are used to describe and analyze specific standard or systems. According to alternative speculations some systems might commence from a discrete or chaotic state and yet produce a complex order. The hypothesis has been used to investigate a wide range of models, including the behavior of animals, religious beliefs, organizations, and the human immune system. The theory is of additional interest as it is claimed that our comprehension of concepts such as chaos, enigma and complexity will fundamentally change our lives in the twenty-first century. Concerning mysticism, the interpretations and arrangements of Magic Squares for example, endowed with symbolic meaning and powerful mysticism has inspired mathematicians and philosophers for thousands of years. Magic Squares or cryptographic mathematics are often linked to divination, to what is called "human observer capability" in complexity theory. Buchanan proposed in his Spirituality and Complex Systems text that "from the point of view of systems sciences we may say that the world is sustained by complex relationships of which we understand relatively little". Before we proceed to further explore how cybernetics, magic squares and their mystic qualities relate to considerations of complexity, we need to establish a few facts about Systems Theory a discipline that has fundamentally changed since the introduction of cybernetics by Norman Wiener in the 1940s. While fundamental network conventions have been corroborated, it might be illuminating to briefly review cybernetics or systems science. Cybernetics is a scientific paradigm originating from electronic engineering and is now widely applied to the analysis of an expanded range of systems embracing most traditional disciplines from mathematics, technology, quantum physics and biology to philosophy, commerce and the social sciences. Gregory Bateson and other early cyberneticists positioned cybernetics as a complete world -view, unifying principles underlying all phenomena, natural, cultural and technological. Contemporary cybernetics is closely related to the emerging "sciences of complexity". The extremely active and wide-ranging Cybernetics Serendipity Redux on-line discussion on the Yasmin mailing list in the month of September 2008 revealed numerous contemporary interpretations of this subject. The discussion focused on the reconsideration between the relationship between cybernetics and art. The copious contributions to this discussion will be reviewed in this presentation especially at as it might be useful to look beyond the conventional discourse restricted to established system structure and explore innovative seldom-charted domains such as the current interpretation of cybernetics, art and its relation to complex systems.
Nina Czegledy, artist, curator and writer works internationally on collaborative art&science&technology projects. She has exhibited widely, won awards for her artwork and has lead and participated in workshops, forums and festivals worldwide. She curated and presented numerous international touring projects and published extensively. The City of Toronto has commissioned Czegledy’s most recent public art collaboration (with Greg Judelman and Daniel Barber) on climate change . “What will you do to cool the earth?” for Nuit Blanche 2007. Czegledy, is a Senior Fellow, KMDI, University of Toronto, Associate Adjunct Professor Concordia University, Montreal, Honorary Fellow, Moholy Nagy University of Design, Budapest, member of the international space art network, outgoing chair of the Inter Society of Electronic Arts (ISEA) and co-chair of the Leonardo Education Forum (LEF).
Keywords: Complexity, mysticism, cybernetics
Nina Czegledy, media artist, curator and writer works internationally on collaborative art & science & technology projects. She has produced time based and digital works, won awards for her artwork, exhibited widely, lead and participated in workshops, forums and festivals and published worldwide. “What will you do to cool the earth?” a public art project in collaboration with Greg Judelman and Daniel Barber, was commissioned by the City of Toronto for Nuit Blanche 2007. The Aurora Feast collaboration premiered at Heureka the Finnish Science Centre (2006), also shown at the Govett Brewster Gallery (2006), Waves Festival, Latvia (2006). Czegledy exhibited with the ICOLS group in Australia, the US (2004-2005) and the Girls& Guns collective's in Europe (2005). Resonance, the Electromagnetic Bodies Project, Digitized Bodies Virtual Spectacles and the Aurora art & science projects focus on the changing perception of the environment and the human body. Czegledy initiated Points of Entry, the first Canadian/Australian/New Zealand digital arts collaboration. She is president of Critical Media a Canadian based Knowledge initiative, is a Senior Fellow, KMDI, University of Toronto, Associate Adjunct Professor Concordia University, Montreal, Honorary Fellow, Moholy Nagy University of Design, Budapest, co-chair of the Leonardo Education Forum (LEF) and ex-officio chair of ISEA.
Read more about Nina Czegledy.
About SCANZ
Solar Circuit Aotearoa New Zealand (SCANZ) is New Zealand’s premier art and technology event and involves a symposium, artist residency, and public exhibition. It occurs every two years, and has typically involved a mix of Aotearoa New Zealand and international artists, producers, theorists and curators many of whom are leading practitioners. Held in New Plymouth, SCANZ 2011 will be the third event.

SCANZ 2011: Eco sapiens
A symposium followed by a residency is to be held late January to early February 2011 in New Plymouth, Aotearoa New Zealand. It seeks to bring a range of knowledge groups together to investigate the cultural roots of climate change and seek out poetically pragmatic approaches to encouraging the cultural and behavioural shifts required. Initial expressions of interest are due 21 November, 2009. Please see here for more details.
SCANZ 2009 international participants included Nina Czegledy, Brett Stalbaum, Sally Jane Norman, Jacques Sirot, Sarah Cook, Andrew Gryf Paterson, Dan Torop, Melinda Rackham and Dominic Smith of The Polytechnic. Participants based in New Zealand included Lisa Reihana, Stella Brennan, Sean Kerr, Rachel Rakena, Natalie Robertson, Danny Butt, Herman Pi’ikea Clarke, Alex Monteith, Naomi Lamb, Caro McCaw, Jon Bywater, Julian Priest (UK/NZ) and many others.
Occurring along side the 2009 residency was a two day symposium (February 7 and 8), presentation evening & exhibition (opened February 7), and curatorial workshop.
Intercreate.org gratefully acknowledges the support and partnerships of:

Creative New Zealand
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Govett-Brewster Art Gallery

Puke Ariki

Shell New Zealand
Sustainability Fund, 60 Springs

Western Institute of Technology at Taranaki (WITT)

TSB Community Trust
and...
Phosphor Essence Ltd.
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http://intercreate.org/S31041
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