http://dmap.mypublicsquare.com/view/discursive Wed, 16 Dec 2009 02:05:27 GMT How might the elusive ‘crop circle’ phenomenon be circumnavigated via contemporary art theoretical discourses? Why is this phenomenon currently unrepresented in such discourses? What problems do the particularities of the phenomenon pose for their consideration through discourse? Can the ongoing contestability of the crop circles’ authorship as human or ‘non-human’ produce expanded conceptions of the phenomenon? What is the phenomenon’s relationship to multidisciplinary research and critical artistic practice, including that connected to Aotearoa New Zealand? <p>I have recently had a show of paintings that discusses the phenomenon of crop circles.</p> http://dmap.mypublicsquare.com/view/discursive#content_38753 http://dmap.mypublicsquare.com/view/discursive#content_38753 Wed, 16 Dec 2009 02:05:27 GMT Adrian Jackman